Review: Orville Peck Adds to His Own Mystique With New EP Show Pony

by Joe Sharratt
in Reviews

Enigmatic country music star Orville Peck is hard to unravel. From his decision to wear a tasselled mask at all times – it’s claimed he’s never shown his face in public – to his intriguing back story that takes in ballet and musical theatre, it’s hard to know where the artist ends and the man behind the mask begins. Orville Peck, itself, is a pseudonym. He is a riddle, a puzzle, a mystery.

Read more

Review: Bon Iver Collaborates with Bruce Springsteen on New Single AUATC

by Joe Sharratt
in Reviews

It’s been a busy few months for American indie-folk ensemble Bon Iver. After dropping their single PDLIF (Please Don’t Live In Fear) in April, with all proceeds from the track going to Direct Relief, a company that is providing resources during the Coronavirus pandemic, they popped up again in July on exile, the second single from Taylor Swift’s new album Folklore, scoring their biggest hit in the USA to date as the song reached number four on the Billboard Hot 100.

Read more

Brandy Gets Personal on New Album “B7”

by Harley Houghton
in Reviews

Pop and RnB mainstay Brandy has dropped her first studio album in eight years, and it is her most personal and reflective offering to date. Her seventh release, the aptly titled “B7,” tackles some very real and deep issues. The singer has spoken of the album being cathartic, and almost a form of therapy for her own mental health challenges.

Read more

Review: Another Sky Are Propelled by Lead Singer Catrin Vincent On Debut Album I Slept On The Floor

by Joe Sharratt
in Reviews

You’ve probably heard about Catrin Vincent’s voice by now, even if you haven’t actually heard it. Since her band Another Sky emerged onto the scene, critics and music fans have been falling over themselves in amazement at the frightening, devastating, all-consuming highs and lows she reaches. The Guardian music critic Caroline Sullivan described it as “the strangest, most haunting voice I’ve heard in ages.” It is as otherworldly as you can imagine a human voice can be.

Read more

Review: Jon Anderson Returns With New Release of Solo Album 1000 Hands

by Joe Sharratt
in Reviews

Jon Anderson remains one of the most iconic voices and songwriters in prog rock. His more than forty-year history with Yes yielded some of the genre’s defining tracks, and saw the band inducted into the Rock and Roll Hall of Fame in 2017. Yet throughout his career, Anderson has constantly sought out other creative channels for his music, from working with the likes of King Crimson, Tangerine Dream, and Vangelis, to his own prolific solo career.

Read more

Review: Biffy Clyro Raise the Hype for New Album with Latest Single Weird Leisure

by Joe Sharratt
in Reviews

Scottish rockers Biffy Clyro have further whet their fans’ appetites for the upcoming release of their new album A Celebration Of Endings – due out on August 14th – by dropping a new single from the record, titled Weird Leisure. It’s a typical Biffy track, with rapid tempo changes, and a dizzying array of guitars and drums tunnelled out by frontman Simon Neil’s trademark voice.

Read more

Review: Alanis Morissette Puts Herself under the Microscope with New Album Such Pretty Forks in the Road

by Joe Sharratt
in Reviews

Jagged Little Pill took Alanis Morissette from the middle of the road dance-pop and ballads of her first two albums and made her one of the 1990s defining female voices. It was a sardonic, yet melody-driven behemoth of a record that has sold more than 30 million copies worldwide and paved the way for a whole new generation of women in music.

Read more

Review: Seasick Steve Sticks to the Record with New Album Love & Peace

by Joe Sharratt
in Reviews

It’s impossible to review any of the work of Steven Gene Wold – better known as Seasick Steve – without viewing it through the lens of his own enigma. How much, or otherwise, you buy into his well-publicised and analysed back story probably influences what and how much you take from his music, but at surface level at least, he continues to specialise in incredibly accessible blues rock with a big old slice of Americana on the side.

Read more

Review: Courtney Marie Andrews Chronicles Heartbreak and Anguish With New Album Old Flowers

by Joe Sharratt
in Reviews

Arizona native Courtney Marie Andrews has already packed an awful lot into her career, despite being just 29 years old. From touring at the age of 16, to working as a session musician and backing singer for acts including Jimmy Eat World and Damien Jurado, and all the way up to 2018’s critically acclaimed solo album May Your Kindness Remain, she has transcended styles and genres, with often spectacular results.

Read more

Metallica Stun with Acoustic Version of “All Within My Hands”

by Harley Houghton
in Reviews

Ask any Metallica fan what their least favourite album is from the metal titans and you will inevitably get the same answer. “St Anger,” which dropped in mid-2003, has not earned the same favour as any of their other releases. Likewise, critics have often offered low reviews, and few have had good things to say about it.

Read more

Review: Marbles Honeyspider

by Nicholas Gaudet
in Reviews

Vastly reminiscent of times past in multiple genres, such as post-rock and hardcore, while also looking ahead in sound and style, Honeyspider’s latest single Marbles is a treat to listen to.

Read more

Review: Pink Sweat$ builds excitement for debut album with soulful new EP The Prelude

by Joe Sharratt
in Reviews

David Bowden, otherwise known as Pink Sweat$, has been gaining momentum at a frightening rate for an artist whose debut album is yet to be released. His upward trajectory has been propelled in large part by his hit song Honesty, which racked up an incredible two million streams on Spotify in less than eight weeks when it was released in 2018, and currently has more than 35 million plays on YouTube.

Read more

Review: Someday, Somewhere Palace

by Nicholas Gaudet
in Reviews

Picture the corniest dramatic scene from a romantic movie in your head: the rain’s gently sizzling on the window, all the while the couple on the screen are slow dancing to themselves with a hazing tune playing on a cheap radio. Well, that tune very well might be Someday, Somewhere, Palace’s wonderful, heart-tugging new single.

Read more

Review: queen of broken hearts blackbear

by Nicholas Gaudet
in Reviews

What is the secret recipe to make a summer hit song? If you posed this question to a producer, they would most likely answer with the following: popping electronic drums on an energetic tempo, acoustic guitar coupled with thin Stratocaster chord punches, catchy vocal melodies, heavy compression, all toppled with a variety of production gimmicks finished with a seasoning of synth swoops and plucks. Just thinking on all those, you could probably make your own summer anthem for your thoughts alone, or you could be blackbear and exercise all these in an eccentric new summer anthem, queen of broken hearts.

Read more

Review: DMA’s show how they’ve evolved with new album The Glow

by Joe Sharratt
in Reviews

Aussie three-piece DMA’s have made a name for themselves as a swaggering indie rock band shaped by the heady heights of the Britpop days. Comprised of Thomas O’Dell (lead vocals), Matthew Mason (lead guitar, backing vocals) and Johnny Took (guitar), their first two albums, 2016’s Hills End and For Now in 2018, both cracked the top ten of the album charts in their homeland, and last year they collected the ultimate lad rock accolade of supporting Liam Gallagher on tour.

Read more

Review: Golden Hour EP Showcases Baby Rose’s Stunning Voice

by Joe Sharratt
in Reviews

Jasmine Rose Wilson, who writes and performs as Baby Rose, has one of those voices that just stops you in your tracks. It’s husky and haunting but with a delicate undertone that has you hanging on her every word; it’s rich enough to fill an arena but intimate enough to feel like she’s singing to you and you alone. And she’s got the songs to go with it.

Read more

Review: Emily Burns' new song 'Curse'

by Nicholas Gaudet
in Reviews

Emily Burns’ newest single, Curse, is truly a gem in disguise. Upon first listening to the track, one might think that this song rides on the sound Finneas and Billie Eilish have built in the last few years: Emily’s voice is meek and vulnerable, backed by a shy piano and dreamy synth-scapes cradling the composition.

Read more

Review: CMAT's latest single 'Rodney'

by Nicholas Gaudet
in Reviews

Rodney, CMAT’s newest single, feels like a warm serving of the favorite dish your mom makes for you when you come back home. It always feels like you haven’t had it in a long time, and tastes of memories and nostalgia. 

Read more

Kiara Nelson Encourages Us All to Embrace Love with Catchy New Single

by Harley Houghton
in Reviews

Pop newcomer Kiara Nelson is back with her second offering since her debut single “Adore You” captivated us all and earned over 1.5 million streams on Spotify. Her new single, “Kisses For Breakfast” is as sweet as it is catchy. It is a track that feels destined to fill dancefloors everywhere, a delicious fusion of pop, soul and R&B. Truly, the ultimate part crowd pleasing combination.

Read more

Review: Phoebe Bridgers goes from strength to strength with Punisher

by Joe Sharratt
in Reviews

Phoebe Bridgers has the world at her feet. With her highly accomplished and lauded debut album Stranger in the Alps already under her belt, and blossoming projects with darlings of the indie world Julien Baker and Lucy Dacus (Boygenius), and Conor Oberst (Better Oblivion Community Center) gathering steam and winning fans, it’s easy to forget that Bridgers is just 25 years old.

Read more

Review: Shaefri returns with introspective and intriguing EP ‘Girl'

by Joe Sharratt
in Reviews

Raised in London, with Irish and Egyptian heritage, Shaefri’s music is as worldly and eclectic as you might expect. Her vocals, meanwhile, have a hypnotic, almost otherworldly quality to them, which combine to give her a sound that is truly her own. She has written with a number of artists and producers in the last few years, including Major Lazer, Christine and the Queens, and Daft Punk.

Read more

Review: Evanescence's Latest 'The Game Is Over'

by Nicholas Gaudet
in Reviews

Evanescence are a staple when it comes to early 2000’s emo/rock anthems. Fans of the genre and casual listeners alike all around the world could easily come together in harmony and belt the chorus for the band’s 2003 opus, Bring Me to Life. Everyone knows that song.

Read more

Review: All I Need - Jacob Collier (feat. Mahalia & Ty Dolla $ign)

by Nicholas Gaudet
in Reviews

Jacob Collier is back with his third single for his upcoming multi-album project, Djesse Vol. 3. In the same vein as the previous tracks released from the album, Time Alone With You and In My Bones, this song pulses in electric beauty, which is very jarring when you compared it to his other work from last year’s Djesse Vol 2, such as Feel and It Don’t Matter.

Read more

Review: UK Artist Tom Walker Releases Poignant Video for New Single

by Harley Houghton
in Reviews

UK singer songwriter Tom Walker has released a beautiful new single entitled “Wait for You,” written and recorded during COVID-19 lockdowns. As an added bonus, he has also graced us with a stunning video to accompany the track, filmed separately by dancers from all over the world. The song and video together creates a visually stunning and emotive experience, feeling incredibly apt for the current times. 

Read more

Country Artist Dylan Scott Shares Deeply Personal Video for New Single

by Harley Houghton
in Reviews

American singer songwriter Dylan Scott has warmed hearts and caused huge smiles everywhere with his beautiful new single and the sweet video that came with it. “Nobody” is a deeply personal and touching tribute of love and devotion. As an added bonus, the song is catchy, fun and you cannot help but sing along to the gorgeous lyrics that speak of the immense love he holds for his wife, Blair Robinson.

Read more

One Cure for Man’s Epically Emotive New Single “The Haunted”

by Harley Houghton
in Reviews

UK indie rock soloist James Parkinson AKA One Cure for Man has released his most stirring track yet, “The Haunted.” Following the death of his friend, Parkinson was inspired to write this stunning tribute to a poet, teacher, and passionate music follower. But when listening to this track, you will find more than just a loving homage to his dear friend. You will also find a cautionary tale. The song provides a critique of social media, warning us that what we perceive is not always the truth. It serves as a stark reminder that we may sometimes envy the portrayed lives of others based on what they choose to show us on social media, but that perhaps we should not. 

Read more