Review: JP Cooper 'Bits and Pieces'

by Phil Arnold
in Reviews

You may have heard JP Cooper on the Jonas Blue song, ‘Perfect Strangers’. He has also appeared on ‘Get Involved’ from Craig David’s 2018 album release ‘The Time is now’.

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Review: Ingrid Andress 'Life of the Party'

by Phil Arnold
in Reviews

Ingrid Andress is one of Country Music’s rising stars. The 28 year old from Michigan made a great start to her career, with her 2019 album release ‘More Hearts Than Mine’ reaching number 12 on the US country songs list.

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Review: Mystery Jets Latest 'A Billion Heartbeats'

by Phil Arnold
in Reviews

The story surrounding the Mystery Jets dates back to the birth of the band in 2003. Now, 7 albums later and many additions and losses to the line up, they’re now releasing their seventh album, motivated by the ups and downs of political protest and the turbulent last year or two in British politics.

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Review: Mandy Moore's Latest 'Fifteen'

by Phil Arnold
in Reviews

It was 1999 when Mandy Moore released her first single ‘Candy’ and immediate comparisons were made to the other stable of teenage female pop stars of the late 90s, the likes of Britney Spears and Christina Aguilera for example.

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Review: Phantogram's Latest Song 'Pedestal'

by Phil Arnold
in Reviews

The history of Phantogram is that of a long lasting friendship, leading on the creative prowess of Sarah Barthel and Josh Carter to come to fruition. Forming in New York back in 2007, they can now boast a catalogue of 3 albums, 4 EPs and 10 singles, with a mix of genre influences that creates an overall unique blend that both multiinstrumentalists can produce. 

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Review: The Pussycat Dolls Latest Song 'React'

by Phil Arnold
in Reviews

The Pussycat Dolls have been away for quite a while now. Whilst in the UK we are used to seeing Nicole Scherzinger on our screens, ‘React’ marks a return from the whole band following a staggering 10 years away. However the group are one member down with their reunion, as Melody Thornton has elected to pursue her own solo ambitions.

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Review: Ghostpoet's Latest 'Concrete Pony'

by Phil Arnold
in Reviews

For 10 years, Ghostpoet has been giving us a blend of music, that he might say is unidentifiable. Not limiting himself to one area has been a stroke of genius and has allowed for his productions to move in and out of the Hip Hop mould and experiment with other mixes to get his creative side across.

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Review: Mr Eazi Latest Song 'Kpalanga'

by Phil Arnold
in Reviews

Mr Eazi, whose real name is Oluwatosin Ajibade is a 28 year old musician who is bringing his roots from Nigeria into mainstream music in the form of Banku, an afro fusion blend of modern hip hop and trap genres.

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Review: Lovelytheband Release 'Loneliness For love'

by Phil Arnold
in Reviews

Lovelytheband released their debut single ‘Broken’ in 2017 and since then have really taken advantage of the publicity. Their initial release saw them top the alternative charts for 9 weeks and gave them an exposure most bands only dream of.

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Review: Fleur East 'Lucky'

by Phil Arnold
in Reviews

It’s been a while now since we first saw Fleur East, way back on the 2005 X Factor show, when she was part of Addtictiv Ladies. Work followed as a solo artist, but she is probably more familiar as an individual performer on the 11th series of the same show, where she was far more successful.

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Review: Kawala's Latest 'Animals'

by Phil Arnold
in Reviews

This North London based group are really something different and refreshing in UK music, with a blend of Indie, pop and even afrobeat to name a few influences you can hear in their tracks.

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Review: Sleep Token gig at Birmingham's The Mill

by Jake Wiggins
in Reviews

It doesn't take a genius to work out that Sleep Token are a bit different to your regular band. For starters, they’re clandestinely clad, wearing black from head to toe, faces obscured by masks and black body paint doused on all the parts not quite covered by their robes. 

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Review: All Time Low's Latest 'Some Kind Of Disaster'

by Phil Arnold
in Reviews

It was 2003 when the world first got a chance to hear All Time Low. Their style has evolved over the 17 years they’ve been together and they now boast a full and accomplished catalogue of high profile songs and they tour (a lot), which has kept them at the top of their game as a performing band.

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Hayley Williams of Paramore Stuns In Her First Solo Effort ‘Simmer’ 

by Shaoni Das
in Reviews

For longtime Paramore fans, Hayley Williams’ debut single ‘Simmer’ is well worth the wait. For over sixteen years, Williams has been the undisputed face of the alternative rock act as its cherished lead singer and has essentially grown to become a musical and fashion icon for rock and punk communities all across the world.

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Review: James Smith's Latest 'An EP By James Smith'

by Phil Arnold
in Reviews

The Who, Madonna, Talk Talk, Black Sabbath, Bo Diddley, Queen and Big Country all have something in common with some of their music and James Smith can now join that list - I’ll leave the answer to the end, but it’s not too tricky a puzzle to solve. 

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Review: Meghan Trainor's New Song 'Blink'

by Phil Arnold
in Reviews

Meghan Trainor is a name you’re more than likely familiar with. All About That Bass was her first major release with manager Troy Carter, and it became one of the fastest selling singles of all time reaching number one in 58 countries - an impressive feat to say the least. 

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Review: Ashley McBryde's New Song 'Martha Divine'

by Phil Arnold
in Reviews

Ashley McBryde is one of Country Music’s newest stars and the American born artist from Walden, Arkansas has already drawn nominations for tracks on her soon to be released second album, Never Will, which Martha Divine is taken from.

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GZ Tian’s New Song ‘Moody Kid’ Review

by Phil Arnold
in Reviews

Manchester born GZ Tian is a rising star in English music. He raised a lot of excitement with his 2018 debut single release ‘Laid Back’ and has grown a steady following who have been anticipating more from the young artist.

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Review: Drive-By Truckers 'Thoughts and Prayers'

by Phil Arnold
in Reviews

What’s not to like about Drive-By Truckers. Firstly, the band creates a wonderful image of a group of middle aged men who could bear a slight resemblance to ZZ Top. Secondly, what music are they going to play? Probably a rock theme...

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Review: Tim Chadwick's Latest 'Sore Thumb' 

by Phil Arnold
in Reviews

Tim Chadwick learnt his craft in Dublin’s singer songwriter venues and quickly enhanced his reputation as a powerful songwriter, who wasn’t afraid to put real emotion into his music. Sore Thumb is no different, it is refreshing in the way it tackles personal issues, which the more you read about Tim Chadwick, the more you respect him as a person and musician. 

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Review: Little Big Town Releases Song 'Nightfall'

by Phil Arnold
in Reviews

Artists come and go, and if they stay around for more than 10 years, there’s very often band member changes. Not so much with Little Big Town who have been together for 22 years, and have the original 4 members all still loving their craft.

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Review: Gengahr Releases 'Never a Low'

by Phil Arnold
in Reviews

Gengahr are just about to start a tour which sees them crossing continents, all the way down to Auckland in New Zealand to spread the word of their latest album, Sanctuary, which is due for official release on the 31st January.

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Review: Alex Gough's New Song 'Fool'

by Phil Arnold
in Reviews

Ireland can be proud of its contribution to popular music, not just the superpower of bands like U2, but with a huge range of tradition, pop and more eclectic artists, there is a new wave of excitement being created through talented artists who are being given opportunities to showcase their undoubtable talents.

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Review: Seafret 'Most of Us Are Strangers' New Song

by Phil Arnold
in Reviews

Seafret are a London based Indie-pop duo Jack Sedman and Harry Draper. Originating from Bridlington, their name reflects their closeness to one of England’s coastal towns. Since their first EP release in 2014 they have been consistent in their production of songs that are growing them a loyal army of fans around the UK. 

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Review: Oh Wonder's New Song 'Happy'

by Phil Arnold
in Reviews

We all want to start the New Year happy, so Oh Wonder’s new release would be the perfect place to start. The alternative pop duo of Anthony West and Josephine Vander Gucht have released some awesome tracks since their first EP in 2015.

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Review: Ollie Dixon's Latest 'Here & Now'

by Phil Arnold
in Reviews

The resurgence of folk music, thanks largely to bands like Mumford and Sons and artists such as Ben Howard, has opened the door to many new talents who can now commercially make inroads into the music industry.

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Review: Shellac, Manchester Academy 2, 12th December 2019

by John Potter
in Reviews

With Nomeansno now officially retired, Fugazi on indefinite hiatus and Sonic Youth extremely unlikely to tour again after the acrimonious marital split of Kim and Thurston there’s very slim pickings, gig wise, for those of us Generation X’ers with an affinity for US post-hardcore, indie, noise rock.

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Rising Singer-songwriter Megan O’Neill Ends Year on a High in London

by Andrew Braithwaite
in Reviews

Upcoming Irish singer-songwriter Megan O’Neill impressed a London audience on Thursday, marking her final performance of 2019. After a successful year - including opening stadium shows for the legendary Sir Tom Jones, playing at key UK country music festivals (British Country Music Festival, Country 2 Country, Body & Soul) her fans seemed keen for her closing headlining gig at The 229 Venue.

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Lana Del Rey Packs Out Nashville's Municipal Auditorium Bringing to Stage a Range of Special Guests

by Andrew Braithwaite
in Reviews

Lana Del Rey finished her USA fall tour on Tuesday night supported by a range of special guests, including Lukas Nelson (son of the great Willie Nelson), former The Walkman frontman Hamilton Leithauser, Nikki Lane and Lissie; the acts were seemingly included to suit the Nashville music culture and crowd, adding a little extra spark and interest to the show. This ultimately invoked a country theme for the event, which seemed to favor the city's music scene. 

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