Lana Del Rey - Take Me Home, Country Roads Review

by Peter Källman
in Reviews

Surprisingly, Lana Del Rey is sharing with us a one-off cover of John Denver's classic song "Take Me Home, Country Roads." The track features Lana’s impeccable vocals and a simple, reverberated piano. The song manages to hold momentum on its own despite being so simple, just because the musicians involved are so skilled. The track crescendos in a majestic choir section singing to the chorus. The original track by John Denver is country but still has a dreamy feeling to it. Lana’s cover manages to capture and even enhance that dreamy, longing feeling.

Read more

Sophie Castillo - "3AM": (Review)

by Peter Källman
in Reviews

Sophie is an Indie Latin artist from the UK, and she just released a strong new ballad. Now the name might not ring a bell, but I’m hoping it will soon. When I heard this track first, I was a bit taken aback. I am a complete and absolute sucker for slow ballads of a certain type. This song fits that type, with a beautiful nylon string guitar and dreamy, Latin-inspired vocals. If you want another gorgeous nylon string guitar section, try listening to “Really Love” by D’angelo, which features Isaiah Sharkey’s playing. Anyway, I was fearful when I listened to this song for the first time because I liked the mood it set so much. I was waiting for it to drop the drums, be it a drill, trap, or dancehall beat. But that drop never came, and I couldn’t be happier for it. This track is a smacker. While you are in the zone, you can discover other similar tracks such as:

Read more

Ultramarine - Sven Wunder: (Review)

by Peter Källman
in Reviews

If I can find the words to fully describe Sven Wunder’s latest release, Ultramarine, I will be proud of myself. Even though I think an artist like Sven is happy not to be completely boxed up. Sven has a background in scoring for film, which can be heard. Sven released this song on his label, Piano Piano Records. He is very much part of the current vinyl movement, making most of his tracks into vinyl records. His father was a jazz drummer, and he grew up around that, which can be heard. He also has a deep appreciation for traditional sounds, implementing traditional instruments from all around the world into his music, which can be heard. He has previously released records influenced by different traditions. Eastern Flowers (traditional Turkish) and Wabi Sabi (Japanese jazz) are some of my favorites.

Read more

Taylor Swift - "You're Losing Me" (From The Vault): Review

by Peter Källman
in Reviews

Taylor Swift released the song “You’re Losing Me” for the first time in 2022 as a CD exclusive and only to be purchased in-person at certain venues on her “the Eras Tour.” This sneak release, of course, added to the suspense for her superfans who knew that there was a new song finished just waiting to be heard. Now, the song can be heard on all streaming services as part of her latest string of “From the Vault” releases. The song was co-written and co-produced with her music mogul partner, Jack Antonoff. Along with working on other works by Taylor like “1989,” “Reputation,” and “Lover,” Jack Antonoff has also collaborated with Sia, Pink, Lana Del Rey, Lorde, Carly Rae Jepsen, and many more.

Read more

Evanescence - Fallen (Deluxe Edition / Remastered 2023) - Review

by Peter Källman
in Reviews

To celebrate the 20th anniversary of the iconic album Fallen, Evanescence is releasing a deluxe remastered edition of the entire album. Ted Jensen, who worked as a sound engineer on the original releases, also did the remastering. Now, I came into this review thinking I would have to plead with people hungry to revive their nostalgia to have a listen. I want to do that also, but it turns out Evanescence still has a very active crowd of 14.3 million monthly listeners (on Spotify only).

Read more

Zac Brown Band - From The Road Vol. 1: Covers - Review

by Peter Källman
in Reviews

The Zac Brown Band is known for its blend of country, rock, and southern influences. With this release, they are showing how they have been paying homage to a broad range of popular songs and infusing some of their country-rock sound into each one. As the title suggests, the songs on this album were recorded during live shows.

Read more

The Glass Harmonies: A Dual Sonic Journey with H.E.R and Foo Fighters

by Peter Källman
in Reviews

Following the release of the melancholy rock hit “The Glass” by Foo Fighters in June 2023, H.E.R has released her cover version of the song in a single featuring both versions of the track. The lyrics of this song cover the topic of the loss of a loved one. The line “I was left to live without it” keeps repeating in the verses of the song. In the second verse, the “it” changes to “him,” making “I was left to live without him.” Most likely speaking about the loss of Taylor Hawkins, who was the drummer for Foo Fighters up until his early passing on March 25, 2022.

Read more

Review: Bjork and Rosalia's Resonant Collaboration in 'Oral' A Musical and Ethical Odyssey

by Martín Cacho
in Reviews

Just a year has passed since the viral phenomenon of MOTOMAMI, an album released by the Catalan artist Rosalia. She was both praised and criticized for her conceptual album that defied everything we know about pop music. Now, she surprises us again by appearing in collaboration with the great Bjork, another groundbreaking musician who continually reinvents pop in multiple ways each year. This time, they are reviving a song that Bjork wrote around 1997, so the song carries many vibes and resemblances to 'Homogenic' and 'Vespertine.' One of the most satisfying resemblances for me is Bjork's signature way of creating counterpoints with highly reverberated voices.

Read more